The FIARI declared: “Art has as little a fatherland as the workers. To advocate today a return to ‘French’ art is ... to consciously promote historical regression.”
Prolific film biographer and historian Patrick McGilligan has written an immensely valuable and entertaining biography of the American comic-filmmaker.
The WSWS spoke recently with Patrick McGilligan, author of Woody Allen: A Travesty of a Mockery of a Sham.
Ruto’s crackdown on Echoes of War is a stark warning to artists, youth and workers across Kenya and internationally: any expression of opposition, no matter how symbolic or restrained, will be met with brute force.
The series asks how 13-year-old Jamie came to be capable of stabbing to death his schoolmate Katie, addressing themes of social breakdown, parenting, social media, bullying and the many malign influences on young men and boys.
Toxic Town, a scandal about birth defects in UK town Corby dramatized in 4 episodes, is streaming now on Netflix.
A powerful new TV series recounts Lockerbie relative and campaigner Jim Swire’s dedicated struggle for the truth behind his daughter’s 1988 murder in the downing of PA103.
Three years after the “survival drama” phenomenon attracted millions of viewers’ attention worldwide, Squid Game’s second season struggles to build on the series’ cracked foundation.
Director Laura Carreira repeatedly returns to the same settings of Aurora’s work and life, almost tableaus, to illustrate the repetitiveness and drudgery of her existence.
Filmed mostly in the Nablus (West Bank) area, the movie is tense, enraged, and provides a sense of what Palestinian men and women experience on a daily basis under Israel’s horrific occupation.
Thirty-five years after its dissolution, a stream of television films and documentaries continue to be made about the GDR, presenting the state solely as a brutal dictatorship demonstrating the failure of socialism.
This is a gripping film, without nostalgic working class romanticism or "proletarian hero" pathos, and also without the moralistically tinged tone of petty-bourgeois intellectuals, which characterises many other socially critical films.
Shostakovich’s symphony, composed in 1937, is one of the greatest works of the 20th century.
This is how an authoritarian regime or a military dictatorship operates.
How are popular musicians responding—if they are—to deepening social turmoil?
On his latest, country-oriented album, Will Oldham shows concern about the world’s ills, but offers misguided ideas about how to cure them.
The Fourteenth Amendment was the product of a democratic revolutionary change that sought to put the Constitution on a genuine egalitarian footing.
There is promise in Senna’s demonstrating an awareness that there exists a “racial identity-industrial complex” in the contemporary world of art and culture.
This is the second part of an interview with Joseph McBride, author of George Cukor’s People. The first part was posted January 8.
First part of an interview with film historian, critic and biographer Joseph McBride about his new book George Cukor's People: Acting for a Master Director, a study of the Hollywood director whose career in feature films lasted half a century, from 1930 to 1981.
The mass anti-government agitation in Sri Lanka “was the result of real class differences in our society, the divisions between the haves and the have nots” – Prasanna Vithanage
One of his most accomplished works is Omar, a 2013 film about a young Palestinian baker (Adam Bakri) who becomes involved in complex political and moral matters.
“I strongly denounce state-sponsored witch-hunt and prosecution against artists and activists who have come forward against Israel’s genocide.”
Department of Defense interventions into American entertainment media is to “get people acclimated to the presence of military personnel, military bases, military operations, and weapons… normalizing the presence of the military in almost every aspect of life.”
